Here are my two pieces for the exhibit:
Sweet Home Chicago
It is now over two years that we are still dealing with this situation with little hope in sight of it ending anytime soon. My husband and I have struggled to figure out how to keep balance in our life during this challenging time. Through many ups and downs, arguments and discussions we have somehow figured out a way to work together. In Staying in The Light we were going in two different directions and often had a hard time communicating, or figuring out how to get through the situation. Now we are in sync with each other, working together to keep our life harmonious and functioning with very little friction even though nothing about the situation that is causing the stress has changed. I attest this change to our great love of each other.
I learned a valuable lesson working on this piece: always double check your materials, and know what you are using. The finished piece is actually the second one I made. I had spent two days putting the quilt top together, then had great difficulty when I tried to sew it. I checked what I had used to fuse the fabric and realized it was Heat n Bold Ultra Non-Sewable! After a slight breakdown, I got back to work to make a new top. It ended up being a great learning experience in the process of working on a series. It is interesting what slight changes you make in the design and color choices when you have the opportunity to make something a second time. I know I will never (knock on wood) make that mistake again, and it was upsetting to learn that I had to re-do the top, but I did enjoy the learning experience in the end.
For more information go to: https://www.artfulhome.com/heartsforanna
I tried a new technique for this piece that I had read about in a friend's Quilting Arts magazine. You start with a layered pre washed piece of muslin or white cotton fabric and stitch your design with cotton white thread. I included InnerFuse to give the piece some stiffness. It is 5" x 7".
Use acrylic paint to paint in the spaces created by the stitching, leaving the area around the stitching unpainted. I made 2, on the first I mixed a little Golden GAC 900 into the paint. For the second one, I didn’t. There was no difference between the 2.
Sanding helps make it absorbent for the next step.
The wash fills in the white stitched spaces and creates an antique look to the whole piece.It is important to use cotton thread because it absorbs the paint.
I used a thin flat brush and found it easy to not paint over the stitched areas.
For the second one I used gold metallic thread because I wanted to see how it would look knowing it would not absorb the paint in the wash. I didn't like the end result, the gold stood out too much and distracted from the whole piece. You can see the gold thread in the above picture.
To add some extra flare to the piece I went over it with Shiva Paintstiks.